CLAMOROUS VOICE

stage, spires, and Shakespeare

This post is a quick resource for students attending my lecture series (title above) in HT 2019. Links to all the handouts shared online are available below. Feedback is welcome, either in the comments section to this post or via email (sophie.duncan@ell.ox.ac.uk). The last lecture in the series will take place this Friday (Friday 15 …

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This post is to publicise my lecture series this term on Identity and Atrocity in Anglophone theatre since 1945. It’ll be happening on Fridays at 11.15 in Lecture Room K of the English Faculty for Weeks 1–5 of term (18 Jan to 15 Feb), and the outline is below. For more information, leave a comment …

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I have just finished rewriting the third chapter of my thesis. There are no appropriate metaphors for how I really feel about this chapter. I’ll stick to claiming that I feel like a successful fisherman waving aloft a shiny prize carp. This is, of course, a lie. I feel more like I’ve been locked in …

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‘You remember, doubtless, Coleridge’s words, as reported by Mr Payne Collier: “Great dramatists make great actors. But, looking at Shakespeare merely as a performer, I am certain that he was greater as Adam in As You Like It, than Burbage as Hamlet or Richard the Third. Think of the scene between him and Orlando, and …

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Last week, I was lucky enough to be a judge for OUDS Cuppers 2010, the first-years’ college drama festival. This involved gazing into the tiny, uplifted faces of fresh thespy youth and then brutally marking them out of 10 in a variety of categories including acting, design and marketing. As in 2007 (the last time …

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The long horrifying slide towards my essay deadlines has got appreciably smaller. Last week the only thing getting me through was custard creams; this week, I’ve gone from being totally demoralised (two nights ago) to actually quite chipper. I’m not sure whether this is genuine progress, hormones or some sort of kick-save-brain protection that’s blanking …

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