My new article on Jack The Ripper, civilian performance, transvestite prostitution, domestic abuse, and amateur detectives in London and beyond is now published in Nineteenth Century Theatre and Film. I’ve been reading this journal since I was an undergraduate so it’s a great pleasure to be published there. You can read the article, Personating the Ripper: Civilian Performance and the Melodramatic Mode online via SAGE (for those with a subscription), or I’m able to share the final published version via email (for those without – so do get in touch). Reading both Claire Harman’s Murder By The Book and Hallie Rubenhold’s The Five helped shape the final version of this article, as did Isabel Stowell-Kaplan’s great piece on staging Victorian detectives. I also spent a lot of time looking at this map of 1880s Whitechapel.
My new book – Shakespeare’s Props: Memory and Cognition – is out now in Routledge’s Studies in Shakespeare series! You can buy Shakespeare’s Props here (via Routledge), and in all the usual places (at the time of writing, Blackwell’s seems to have the best price).
I hope you’ll see a lot of this book on this blog (and elsewhere) over the coming months – in some ways it feels as though it’s been a long road to publication, and in others as if it’s been a whirlwind.
Many thanks to everyone who’s contributed to Shakespeare’s Props in whatever form – obviously there are acknowledgments within, but I’m mindful of the extraordinary amount of luck and support I’ve had, at both Magdalen College, where I researched and wrote this book, and Christ Church, where I finished it (why am I always proofreading during admissions season?!).
I don’t know if I’ll ever again have the chance to write a book combining Shakespeare with Call The Midwife, or caption a chapter on Early Modern corpses with a still from The Graham Norton Show, but I can heartily recommend the experience. Obviously, in a book about Shakespeare and props, all the big hitters appear – handkerchiefs, skulls, and an accumulating obsession with torn letters – but there’s also the joy of wittily-inscribed chewing gum wrappers, Dido’s oars, and a coda re: the iniquities of HS2 and its impact on London’s props quarter.
Clearly, Shakespeare’s Props is the perfect Valentine’s gift for the Shakespearean in your life. And/or your favourite hoarder-in-training. And/or your beloved institutional library.
Of course, if you’d like to review the book for a journal or other publication, please email me, or comment below – thank you!