CLAMOROUS VOICE

stage, spires, and Shakespeare

On Sunday, I returned to Oxford from the Britgrad 2011 conference, where I was part of the Victorian Theatre Practices panel with the fragrant Jem Bloomfield. Jem was talking about mid- and late-Victorian productions of The Duchess of Malfi, while my paper was entitled ‘”Marriage of Orlando and Rosalind”: Madge Kendal and Victorian Shakespeare”. The …

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