CLAMOROUS VOICE

stage, spires, and Shakespeare

Shakespeare’s Women and the Fin de Siècle is out in UK hardback from OUP on 1st December! I thought I’d share what I’ve learned from the process of revising your thesis into a book. If the title seems like clickbait, it’s certainly v. niche. Some of what follows is general, some deliriously specific. But here’s …

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Currently finishing the book – Shakespeare’s Women and the Fin de Siècle. Yes, that is exciting. Except when it looks an awful lot like a person with a laptop and 9,000 printouts, who has inexplicably taken to writing her most important notes-to-self on small white squares of paper. Which blow everywhere. Given that I really …

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The finishing line of my DPhil is apparently in sight. I’ve rewritten and deleted this paragraph a lot, obviously, but the gist is that I have to send my Faculty a schedule for completion, and my supervisors got quite excited. There is now a schedule. My mouth is quite dry. Meanwhile, I am obviously researching …

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At the moment, I’m researching Mrs. Patrick Campbell (born Beatrice Tanner; familiarly called Stella). Mrs. Campbell is most famous for her “Pinerotic” roles in the 1890s, such as The Second Mrs Tanqueray and The Notorious Mrs Ebbsmith; for her Hedda Gabler; and as the original Eliza Doolittle in George Bernard Shaw’s Pygmalion. I, however, am …

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On Sunday, I returned to Oxford from the Britgrad 2011 conference, where I was part of the Victorian Theatre Practices panel with the fragrant Jem Bloomfield. Jem was talking about mid- and late-Victorian productions of The Duchess of Malfi, while my paper was entitled ‘”Marriage of Orlando and Rosalind”: Madge Kendal and Victorian Shakespeare”. The …

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Last night, I stayed up (too) late reading about family scandals, hatred, illegitimacy and death in the supposedly idyllic domestic life of one of my thesis’s subjects. The actress in question is Madge Kendal (1848-1935), an incredibly successful, powerful Victorian actress – and just about one of the biggest hypocrites I’ve ever (literarily) met. The …

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