I’ve been working with the New Vic Theatre, Newcastle-under-Lyme on Abbey Wright’s forthcoming production of Henrik Ibsen’s Ghosts. At one point, one of the actors thanked me for “all my work” with them. Now, obviously I used “work” twice in that sentence, but a better definition for this part of my job would encompass “playing …
This is my fifth term as a doctoral student, and a New Year to boot. Thinking about academic goals for the year, I’ve decided I want to spend more time thinking about, and practising public engagement. Already, there’s a problem. I don’t like the phrase. It’s too jargony, redolent of patronising bussed-in audiences with why …
At the moment, I’m researching Mrs. Patrick Campbell (born Beatrice Tanner; familiarly called Stella). Mrs. Campbell is most famous for her “Pinerotic” roles in the 1890s, such as The Second Mrs Tanqueray and The Notorious Mrs Ebbsmith; for her Hedda Gabler; and as the original Eliza Doolittle in George Bernard Shaw’s Pygmalion. I, however, am …
Registration is now open for The Famed and The Forgotten, taking place on 10th June in Oxford University’s English Faculty. 45 student speakers from Oxford and around the UK will be delivering papers on the concepts of ‘famed’ and ‘forgotten’, interrogated in the broadest possible terms across genres and periods encompassing Old English to the …
Before its June 1889 premiere at the Novelty Theatre, Ibsen’s A Doll’s House was twice staged in the capital; once in 1885, and once in 1886. In 1886, it was given in a private performance in a Bloomsbury lodging-house, with George Bernard Shaw as Krogstad, and ELEANOR MARX as Nora. ELEANOR MARX (interesting 2005 article …
4.5 members of our seminar group (Sam, Michael, Lisa, Lisa’s-boyfriend-who-has-a-reader’s-card and myself) are in the Bodleian. Through the windows, we can see snow falling on the Rad Cam, the New Bodleian, and the colleges beyond Broad Street. The power has gone out. And, this morning, the age-old editor’s dilemma: do I send my reviewer to …
