This post is to publicise my lecture series this term on Identity and Atrocity in Anglophone theatre since 1945. It’ll be happening on Fridays at 11.15 in Lecture Room K of the English Faculty for Weeks 1–5 of term (18 Jan to 15 Feb), and the outline is below. For more information, leave a comment …
Are you a propmaker or do you run/work for a theatre or company with its own prop shop? Do you collect theatre, film, or television props? Actors: which props have you kept/bought/’forgotten to return’?
This film is magnificent. The writers have freed themselves from the tyranny of plot, and someone has attacked post-production so savagely that 80% of the promotional trailer isn’t actually in the final film. There is a musical number approximately twice a minute.
Mark Rylance and Kenneth Branagh, as head civilian and military heroes respectively, leave some impressive pauses, through which Spitfires could be and indeed are flown.