CLAMOROUS VOICE

stage, spires, and Shakespeare

This post is to publicise my lecture series this term on Identity and Atrocity in Anglophone theatre since 1945. It’ll be happening on Fridays at 11.15 in Lecture Room K of the English Faculty for Weeks 1–5 of term (18 Jan to 15 Feb), and the outline is below. For more information, leave a comment …

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You know those t-shirts? The white-on-black listed firstnames with the Helvetica ampersand and the cultural references I only understand if it’s the Beatles? This post’s title would make an excellent one. One great perk of my research for the National Trust was seeing some of my research turned into articles for Trusted Source, their great …

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Are you a propmaker or do you run/work for a theatre or company with its own prop shop? Do you collect theatre, film, or television props? Actors: which props have you kept/bought/’forgotten to return’?

this book explores the roles of National Trust places in the women’s suffrage movement, through the people who lived and worked in them – from the Midlands kitchen-maid turned suffragette arsonist to the aristocratic dynasties split by a daughter’s campaigning.