Here is my mini review of Suddenly Last Summer: Mary Higgins should be booked in to play Hecuba twice a term until she graduates. Ideally in a newly-discovered translation by Sylvia Plath. She rises with red hair and eats men like air as the disturbed Catherine in this disorientatingly ambitious version of Williams’s Dead Gay New Orleans Play. Derek Mitchell plays Violet Venables as a geriatric Blanche du Bois, successfully crossed with the disembodied head of Madame Leota. The results are horribly brilliant.
The experimental score is the most ambitious and perhaps least successful bit of the production, stuck in an aural aesthetic standoff between Teutonic techno and Lana del Rey. The onstage singer and guitarist (Georgia Bruce) is brilliant. Suddenly Last Summer is a one-act (keywords: lobotomy, cannibals), which director Sammy Glover has expanded with movement sequences that initially made me worry she’d have preferred to shoot a music video, but in retrospect illuminated the play.
The supporting cast are strong – especially Ell Potter and Aaron Skates, who as Catherine’s mother and brother make fireworks out of the first and second prizes in the Tennessee Williams Most Thankless Supporting Role competition. Skates’s Louisiana accent is particularly spot on (I say this with all the authority of someone who’s spent precisely a week in New Orleans and bored people with the Instagrams ever since. ‘Ah, yes, Garden District,’ I smugged during the performance, in a manner more usually seen by people cleverness-signalling at Jacobean comedies).
But, yes. Mary Higgins and Derek Mitchell. Casting Mitchell as Violet may have been ‘controversial’, but as it turns out, nobody could better depict that she-pander (nails grappling for purchase on your forearm, wig bobbing incessantly) than a second-year undergraduate. As for Higgins, Tennessee Williams only wrote two female characters (groteseque whore/saviour-wife), and sensibly Higgins and Glover have conspired that the former shouldn’t play either. As I said – Hecuba. It’s ages til finals.
Dr Sophie Duncan is Fellow in English at Christ Church, University of Oxford. She works regularly as a historical advisor and as a dramaturg for theatre, TV, radio and film. She likes theatre, detective fiction and cocktails.