Previous Thursday retrospects can be found below! Some were even published on Thursdays.
- Travel plans are afoot; Berlin in June/July, Kent in August and (I so hope) Positano (with Ravello and Sorrento, oh my god) in November. Recommendations for Berlin & Positano extremely welcome!
- It was my birthday! I am now 24, which is older than practically every fictional character I’ve ever loved, except for Harriet Vane and several of the Forsytes. I am also the proud owner of MANY SHOES, a dress, MOLESKINES, lovely jewellery, my very own tiny turning-into-John-Simm watch-on-a-necklace, Henry Holland tights with the Eiffel Tower on (from Chloe) and Much Ado tickets (<3!!). Yes.
- Continuing the #acquisitionspam, I am now reading Keith Osborn’s Something Written in the State of Denmark and will shortly begin The Invention of Murder.
- How to get The Selby in your place.
- I have taken my own advice from a year ago, and registered for Britgrad 2011.
- On that note, if you need to write on .pdf forms electronically, PDFExpress is your friend. One of the most useful things on the internet.
- I am tempted to get a Tumblr.
- The final articles have been chosen for Issue 4 of Victorian Network, which will have the title Theatricality and Performance. As Submissions Editor, my part in the cycle is largely over… as Editorial Board member, I’m sure there will still be plenty to do.
- Also, this cartoon.
- My favourite Easter poem is after the jump.SEVEN STANZAS OF EASTER
By John Updike
Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.
It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His Flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that — pierced — died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.
The stone is rolled back, not papier-mache,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.
And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.
Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.
From Updike, John. “Telephone Poles and Other Poems” (New York: Alfred A. Knopf,1961).
Dr Sophie Duncan is Fellow in English at Christ Church, University of Oxford. She works regularly as a historical advisor and as a dramaturg for theatre, TV, radio and film. She likes theatre, detective fiction and cocktails.